Wardrobe: Outdoor Voices & Adidas
@ Egg Studios
I always wondered if the studio's pocket wizard attached to my film camera's hotshoe would trigger the studio flash. I was surprised to find that it did! Unfortunately my shutter speed was too fast and it caused about half of each image to be underexposed. Still, it's not a bad effect and most of Kseniya's face was still visible and in focus. Lesson learnt for next time!
For my test with Audra, we went for a classic 70s casual look.
I had heard so much about Yosemite that I had such high expectations going into the trip. I'd seen photos of Half Dome and El Capitan everywhere on the internet and wondered how just a slab of rock could look that good. Well, it can. Not just good, but awe-inspiring and sublime. On the many occasions when I went to the edge of the various cliffs of the surrounding mountains, I would feel my lets shaking and breath quivering. People talk about the grandeur of mountains and I experienced that firsthand.
My photography at Yosemite was split 50/50 digital and film. I'd initially planned to use film only on portraits of friends that I was traveling with. But over time, switching between my Canon 5DM4 and my film camera proved too much so I decided to focus on film for the majority of my later shoots. Digital images of nature are all too pervasive so I decided to mix it up and shoot more on my film. Here are the results:
Had an awesome time shooting with Layson!
One thing I realized was just how much I love shooting on film. Shooting on film is so much more enjoyable, not just because of the aesthetic of the end product but because the shooting process feels more relaxed and less like work. Shooting digital feels like work - mechanized, high-pressure, moving quickly to the sound of shutter clicks, the machine-gun barrage of go, go, go. I think the implication of shooting digital is that the relationship between photographer and subject feels more professional and clinical, like there's a clear boundary.
On the other hand, shooting on film feels more intimate, like getting to know someone and not feeling rushed. You're more in tune with the slight movements of the subject because you have to focus and make sure the subject is posing in the most appropriate way. The collaboration feels less hurried and more natural. Knowing that you have a limited number of exposures forces you to slow down and frame each shot with purpose. I believe this slowing down puts the subject at ease and allows them to be more unforced in their poses and expressions.